Jacqueline Gomez' Small Art Pieces - Jacqueline Gomez Fine Artist

'The Dawning Light'

3/11/2019

Hiya folks! Finally able to make this piece available after its final varnish. The final finish has a sort of satin matt look which I feel suits the piece best.
There are so many more light combinations to be explored with this angle, so I might even do more on this subject.
If you'd like to know more on this piece and how it was created click on the link below..

The Dawning Light' Oil painting of Interior Octagon Ceiling with Windows by Jacqueline Gomez

'The Dawning Light' / Oil on Primed Linen Stretched on Hardboard / Size: 7.9 x 7.9 Inches

SOLD

Thanks for dropping by!.. :)

'Lean'

3/1/2019

Hiya guys! After my unavoidable hiatus with rather infrequent drawing practice sessions, I've been taking the opportunity to get back into my daily drawing habit, trying to regain fluidy and skills I feel had gone rather rusty after last year.
Still working on it but meanwhile here is one of my latest figural drawings!
(p.s. Included in Artfinder's 'Best of February' Collection!!)

Guess What! Artfinder is currently having a FREE SHIPPING promo this weekend, so if you're thinking of adding this or any artpiece to your collection, now's the time!!

'Lean' Charcoal Female Nude Figure Drawing by Jacqueline Gomez

'Lean' / Charcoal Pencil on Newsprint / Size: 11.7 x 9.5 Inches

Thanks for dropping by! :)

'Zen Dog' Handpulled Limited Edition Prints With Silverleaf!!

1/20/2019

Hiya folks!,.. It's been a while hasn't it!. I'm coming out of a difficult year after caring for my dad through his last few months and long slow deterioration. There are no words to describe how it feels to see a loved one go thus... We miss him everyday now even though he had long been a shadow of himself.

Anyways, art has always pulled me through difficult times and I was working on this little print during his final days. I did one set with goldleaf for some artist friends (12 editions) and this set (below in only 8 editions) with silverleaf. I hadn't done any printmaking since my college days so I kept it simple.

'Zen Dog' Silverleaf V / Limited Edition Linocut Printmaking Print by Jacqueline Gomez

'Zen Dog' Variable Limited Edition Linocut Print Gilded with Silver Metal Leaf (Only 8 editions) on Japanese Rice Paper / Size: 3.5 x 3.65 Inches

This is the first time I've tried gilding a handpulled print and it's a bit tricky to do so, as each piece is supposed to be as identical as possible ( this is a mark of a good printmaker). To get the gilding pattern of each print as close as possible I used a stencil to apply the gilding paste and then continued with the gilding process as usual.
I wanted the silverleaf to be protected though, so a layer of Artist Varnish was applied just to the leaf alone.

These prints have only just been made available on Artfinder so if you're interested in adding one to your collection pop on by - 'Zen Dog' Silverleaf V/E Print .
Do drop me a message if you have any questions!

Thanks for dropping by!!

Midnight Stars

10/28/2018

'Midnight Stars' GoldLeaf Gilded Oil painting by Jacqueline Gomez

'Midnight Stars' / Oil & Gold Metal Leaf on Canvas / Size: 6.7" x 11.7"

SOLD

Hiya folks! So 'Midnight Stars has finally been varnished with a lovely beeswax satin finish which really suits the raw canvas base of the painting.
It's also been flipped here (I think it looks great either way though how it is finally displayed will ultimately be up to the final collector).

There were quite a few twists and turns in its creation and if you're interested in reading more regarding that journey check out its WIP on my blog at 'Midnight Stars WIP'!

If you are more interested in the ideas and concept behind the piece, read more at 'Midnight Stars'.

Thanks for the visit guys, I truly appreciate it! :D

Morning Visitor Alla Prima

8/12/2018

'Morning Visitor' alla prima oil painting by Jacqueline Gomez of dark interior bedroom with cat and woman sleeping lite by window sunlight.

'Morning Visitor' Oil on Canvasboard . Size: 7.4 x 5.1 Inches

It was great fun painting this alla prima oil of a subject matter so close to my heart, my mother and little cat (at the time) Crookshanks.
I wanted to really capture the early morning light as it shone brightly, illuminating the dark interior of my mother's bedroom. So, unlike the rest of the piece, the window area was left bare of any toned underpainting. The rest was painted with a limited palette over a toned ground of paynes grey, yellow ocher and raw umber.
Much of this toned ground is left uncovered in the final piece intentionally and background elements have been left with a rough unfinished look.

Soft Toned Vine Charcoal Drawing

6/22/2018

Vine charcoal was the perfect medium in helping to create this soft toned atmospheric piece.

Soft atmospheric nude figure drawing with vine charcoal by Jacqueline Gomez

Vine & Charcoal Pencil on Newsprint Mounted on Japanese Rice Paper / Size: 8.6 x 8.4 Inches

Do you see it...

6/22/2018

Blue Mixed Media Figurative Drawing by Jacqueline Gomez

Acrylic, Ink, Conte and Charcoal Pencil on 300g/m Rough Watercolour Paper / Size: 8.6 x 8.4 Inches

I wanted to experiment with some interesting accidental washes and colours as a background to this piece. Knowing that this was going to be quite a spontaneous piece, I had to be sure I was working on a surface that could take at least a little rubbing for any alterations I needed to do as I went along. One good thing about practicing on newsprint is that there is virtually no room to mess around with a drawing without some trace of the alteration or damage to the surface. This has been good training in making sure I'm mindful of each mark I make. You can imagine when I do work on a surface that can take a little rough housing, it takes a huge chunk of pressure off, but the training still stays...

I have some nice thick 300g/m watercolour paper for this and gave it a wash of acrylic ultramarine blue then raw umber, letting the washes run down to make interesting dripping marks for the background.

Using a Sepia Light Conte Pencil, the figure was drawn, making sure the 'quality of line' was good as this drawing would be seen in the completed piece. The acrylic primed rough watercolour paper was a great surface to work on. Once I was satisfied with the drawing, the shadows were given a wash of Chinese Black Ink ( there is just a unique luminous quality to chinese ink and I love using it whenever possible ).
To help get my bearings I now went in with the lightest light I planned for the piece.
A splash of white acrylic (with a touch of raw umber) carved out the structure of the man's head and shoulder. Though I had a rough idea where I wanted the white to go, I was always aware of how the composition was developing as I was applying it and adjusting accordingly. For example, I had planned to paint down over the man's left shoulder more, but then the drip happened and looked so good I had to leave it. Acrylic dries fast so decisions had to be made quickly.
With the lights and darks established I went in with a little more detailing for the figure with white chalk, charcoal and the sepia light pencil. I had to be careful not to do too much or risk losing the mood of the piece..

Honour, Strength and Loyalty in Trois Crayons

6/18/2018

I have this lovely archival tan paper I've been itching to use and thought a 'trois crayons' (technique using three colours - sanguine, white and black) would look gorgeous on it...

The shadow patterns on the model were intricately interesting and I loved that she also had a tattoo on the side of her rib cage that spelt out Honour, Strength and Loyalty..

'Catching the Light' / Sanguine, Chinese White & Nero Charcoal Pencil on Paper / Size: 11 x 7.2 Inches

Figure Drawing in Charcoal D33

6/18/2018

Nude Figure Charcoal Drawing of Woman by Jacqueline Gomez

Untitled Nude D33 / Charcoal on Newsprint / Size: 12 x 9.8 Inches

Salty Waters

6/5/2018

'Salty Waters' / Pencil, Ink & Watercolour on Paper Size: 19.2 x 12.3 Inches

SOLD

Influenced by the abstract minimalist compositions of traditional Japanese & Chinese ink paintings where blank spaces are an integral part of the composition, the abstract shapes and tones of the composition were my first consideration. Linear lines were kept simple, cross contouring the forms and textures of my subjects..
The rich copperish hue I could see in my minds eye,.. it had to be just right.. With a few sample tests, a strong mixture of raw umber & light red watercolour got the result desired.
Luckily I had first hand reference of the mangrove tree from a few life sketches I had done a few years back at Morib where their remains, like skeletons, haunt their salty waters.

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All Original Artworks are licensed under Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0) 2013 Jacqueline Katherine Gomez unless otherwise stated.
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