Jacqueline Gomez' Small Art Pieces - Jacqueline Gomez Fine Artist

Imagine They're..

7/24/2019

'Imagine They're..' nude Famle Figure Drawing on Public Speaking by Jacqueline Gomez

'Imagine They're...' 'Charcoal Pencil on Newsprint Mounted on Japanese Rice Paper / Size: 18.2 x 13.2 Inches.

Hiya folks, I like to take the opportunity to play around with ideas to spice up my drawing practice sessions at times, which is how this piece transpired, Drawn with vine & charcoal pencil, the drawing was cut in to segments and positioned asymmetrically (attached to Japanese rice paper), with the centre piece sharply framed. This compositional positioning contributed strongly to the concept and creating the discordant spotlite feeling and nervous tension the protagonist finds herself in.

Hope you've all been having a great week so far!
Ta for now.. :)

Binary Movement (Diptych)

7/7/2019

Hiya! So if ya haven't seen my latest fb or insta posts you may not have spied my latest conceptual drawing yet.
Drawn with contouring colour pencil crosshatching and charcoal pencil on dark suede coloured paper, this piece is also accented with silver and gold metal leaf!

'Binary Movement' Figurative Charcoal nd Colour Pencil Drawing on Dark Paper by Jacqueline Gomez

Binary Movement / Colour Pencils, Charcoal Pencil & Silver / Gold Metal Leaf on Murano Pastel Paper (160g/m, 45% cotton content). / Size: (8.5 x 12.45 Inches) x 2

Check out how this piece was created on my blog post
'Binary Movement' Charcoal and Colour Pencil Drawing WIP'

See ya! Thanks for the visit!.. :)

'Duality of Mind'

4/15/2019

Hi guys! So with a touch of trepidation I got back to this piece and I'm pretty happy it's turned out just as envisioned!.. The nature of this piece I feel lends itself to personal interpretation so I shy away from clarifying my own inspiration as I would like each observer to find meaning in it for themselves, independent of my own conceptual vision.

'Duality of Mind' Conceptual Figurative Pastel Drawing by Jacqueline Gomez

'Duality of Mind' / Colour pencils, Soft Pastels, White Chalk Pencil & Charcoal Pencil on Canson Mi-Teintes Paper (160g/m) Size: 19.1 x 12.4 Inches (each panel without borders)

Check out more detailed shots and info at 'Duality of Mind' or if you are interested in seeing a how this piece was created step by step, check out 'Duality of Mind' Pastel and Colour Pencil WIP'!!

Thanks for dropping by guys! :)

Tangy Cream

3/16/2019

'Tangy Cream' Mixed Media Figurative Drawing in Orangy Cream tones by Jacqueline Gomez

'Tangy Cream' / Conte Pencil, Charcoal, Ink and White Acrylic on Shellac Sized Archival Paper. /Size: 10.2 x 10.2 Inches

'Lean'

3/1/2019

Hiya guys! After my unavoidable hiatus with rather infrequent drawing practice sessions, I've been taking the opportunity to get back into my daily drawing habit, trying to regain fluidy and skills I feel had gone rather rusty after last year.
Still working on it but meanwhile here is one of my latest figural drawings!
(p.s. Included in Artfinder's 'Best of February' Collection!!)

Guess What! Artfinder is currently having a FREE SHIPPING promo this weekend, so if you're thinking of adding this or any artpiece to your collection, now's the time!!

'Lean' Charcoal Female Nude Figure Drawing by Jacqueline Gomez

'Lean' / Charcoal Pencil on Newsprint / Size: 11.7 x 9.5 Inches

SOLD

Thanks for dropping by! :)

Soft Toned Vine Charcoal Drawing

6/22/2018

Vine charcoal was the perfect medium in helping to create this soft toned atmospheric piece.

Soft atmospheric nude figure drawing with vine charcoal by Jacqueline Gomez

Vine & Charcoal Pencil on Newsprint Mounted on Japanese Rice Paper / Size: 8.6 x 8.4 Inches

Do you see it...

6/22/2018

Blue Mixed Media Figurative Drawing by Jacqueline Gomez

Acrylic, Ink, Conte and Charcoal Pencil on 300g/m Rough Watercolour Paper / Size: 8.6 x 8.4 Inches

I wanted to experiment with some interesting accidental washes and colours as a background to this piece. Knowing that this was going to be quite a spontaneous piece, I had to be sure I was working on a surface that could take at least a little rubbing for any alterations I needed to do as I went along. One good thing about practicing on newsprint is that there is virtually no room to mess around with a drawing without some trace of the alteration or damage to the surface. This has been good training in making sure I'm mindful of each mark I make. You can imagine when I do work on a surface that can take a little rough housing, it takes a huge chunk of pressure off, but the training still stays...

I have some nice thick 300g/m watercolour paper for this and gave it a wash of acrylic ultramarine blue then raw umber, letting the washes run down to make interesting dripping marks for the background.

Using a Sepia Light Conte Pencil, the figure was drawn, making sure the 'quality of line' was good as this drawing would be seen in the completed piece. The acrylic primed rough watercolour paper was a great surface to work on. Once I was satisfied with the drawing, the shadows were given a wash of Chinese Black Ink ( there is just a unique luminous quality to chinese ink and I love using it whenever possible ).
To help get my bearings I now went in with the lightest light I planned for the piece.
A splash of white acrylic (with a touch of raw umber) carved out the structure of the man's head and shoulder. Though I had a rough idea where I wanted the white to go, I was always aware of how the composition was developing as I was applying it and adjusting accordingly. For example, I had planned to paint down over the man's left shoulder more, but then the drip happened and looked so good I had to leave it. Acrylic dries fast so decisions had to be made quickly.
With the lights and darks established I went in with a little more detailing for the figure with white chalk, charcoal and the sepia light pencil. I had to be careful not to do too much or risk losing the mood of the piece..

Honour, Strength and Loyalty in Trois Crayons

6/18/2018

I have this lovely archival tan paper I've been itching to use and thought a 'trois crayons' (technique using three colours - sanguine, white and black) would look gorgeous on it...

The shadow patterns on the model were intricately interesting and I loved that she also had a tattoo on the side of her rib cage that spelt out Honour, Strength and Loyalty..

'Catching the Light' / Sanguine, Chinese White & Nero Charcoal Pencil on Paper / Size: 11 x 7.2 Inches

Figure Drawing in Charcoal D33

6/18/2018

Nude Figure Charcoal Drawing of Woman by Jacqueline Gomez

Untitled Nude D33 / Charcoal on Newsprint / Size: 12 x 9.8 Inches

Salty Waters

6/5/2018

'Salty Waters' / Pencil, Ink & Watercolour on Paper Size: 19.2 x 12.3 Inches

SOLD

Influenced by the abstract minimalist compositions of traditional Japanese & Chinese ink paintings where blank spaces are an integral part of the composition, the abstract shapes and tones of the composition were my first consideration. Linear lines were kept simple, cross contouring the forms and textures of my subjects..
The rich copperish hue I could see in my minds eye,.. it had to be just right.. With a few sample tests, a strong mixture of raw umber & light red watercolour got the result desired.
Luckily I had first hand reference of the mangrove tree from a few life sketches I had done a few years back at Morib where their remains, like skeletons, haunt their salty waters.

What you can help do about Climate Change going forward

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All Original Artworks are licensed under Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0) 2013 Jacqueline Katherine Gomez unless otherwise stated.
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