Jacqueline Gomez' Small Art Pieces - Jacqueline Gomez Fine Artist

Morning Visitor Alla Prima

8/12/2018

'Morning Visitor' alla prima oil painting by Jacqueline Gomez of dark interior bedroom with cat and woman sleeping lite by window sunlight.

'Morning Visitor' Oil on Canvasboard . Size: 7.4 x 5.1 Inches

It was great fun painting this alla prima oil of a subject matter so close to my heart, my mother and little cat (at the time) Crookshanks.
I wanted to really capture the early morning light as it shone brightly, illuminating the dark interior of my mother's bedroom. So, unlike the rest of the piece, the window area was left bare of any toned underpainting. The rest was painted with a limited palette over a toned ground of paynes grey, yellow ocher and raw umber.
Much of this toned ground is left uncovered in the final piece intentionally and background elements have been left with a rough unfinished look.

Soft Toned Vine Charcoal Drawing

6/22/2018

Vine charcoal was the perfect medium in helping to create this soft toned atmospheric piece.

Soft atmospheric nude figure drawing with vine charcoal by Jacqueline Gomez

Vine & Charcoal Pencil on Newsprint Mounted on Japanese Rice Paper / Size: 8.6 x 8.4 Inches

Do you see it...

6/22/2018

Blue Mixed Media Figurative Drawing by Jacqueline Gomez

Acrylic, Ink, Conte and Charcoal Pencil on 300g/m Rough Watercolour Paper / Size: 8.6 x 8.4 Inches

I wanted to experiment with some interesting accidental washes and colours as a background to this piece. Knowing that this was going to be quite a spontaneous piece, I had to be sure I was working on a surface that could take at least a little rubbing for any alterations I needed to do as I went along. One good thing about practicing on newsprint is that there is virtually no room to mess around with a drawing without some trace of the alteration or damage to the surface. This has been good training in making sure I'm mindful of each mark I make. You can imagine when I do work on a surface that can take a little rough housing, it takes a huge chunk of pressure off, but the training still stays...

I have some nice thick 300g/m watercolour paper for this and gave it a wash of acrylic ultramarine blue then raw umber, letting the washes run down to make interesting dripping marks for the background.

Using a Sepia Light Conte Pencil, the figure was drawn, making sure the 'quality of line' was good as this drawing would be seen in the completed piece. The acrylic primed rough watercolour paper was a great surface to work on. Once I was satisfied with the drawing, the shadows were given a wash of Chinese Black Ink ( there is just a unique luminous quality to chinese ink and I love using it whenever possible ).
To help get my bearings I now went in with the lightest light I planned for the piece.
A splash of white acrylic (with a touch of raw umber) carved out the structure of the man's head and shoulder. Though I had a rough idea where I wanted the white to go, I was always aware of how the composition was developing as I was applying it and adjusting accordingly. For example, I had planned to paint down over the man's left shoulder more, but then the drip happened and looked so good I had to leave it. Acrylic dries fast so decisions had to be made quickly.
With the lights and darks established I went in with a little more detailing for the figure with white chalk, charcoal and the sepia light pencil. I had to be careful not to do too much or risk losing the mood of the piece..

Original Sin Rebirth

2/1/2018

Had to say adieu to this one today. I was surprisingly sadder than usual to see a piece go. I was quite pleased at successfully achieving just the exact glowing emerald hue I had envisioned for the snake and this was also my first attempt at trying a new crosshatching technique with the oil paint too.. Despite this I could not feel more blessed with whom she is on her way to right now!.. Thank you so much for making a home for two!.. :)
More info on how this piece was created etc. at 'Original Sin Rebirth'

'Original Sin Rebirth' / Medium: Oil and Silver Metal Leaf on Primed Canvasboard / Size: 5.1 x 7.4 Inches

SOLD

'Backlite' Silverleaf Oil Painting

11/30/2017

Hi guys!, This little piece is done finally after a few failed attempts. With it being so tiny, the crosshatched strokes I wished to create at first were coming out a little too thick and clumsy, but each time I just rubbed it down and started again.. I think it came out well in the end!..

'Backlite' Silverleaf Oil Painting by Jacqueline Gomez

'Backlite' / Oil & Silverleaf on Canvasboard / Size: 3.1 x 3.4 Inches

SOLD

Check out the WIP for this piece at: Testing DIY Silverleaf Sealant, Size & Colour Palettes.

'The Traveller'

11/9/2017

'The Traveller' / Winsor & Newton Oil, Ink, Clear Acrylic & Silver Metal Leaf on Galleria Gesso Primed Canvas Board / Size: 7. 43 x 5.1 Inches

SOLD

Hiya folks, I've been incorporating silver metal leaf in a lot of my recent works, however I decided to also include some crosshatched dip pen ink work in this piece as well.

If you are interested in how this painting was created do drop by my 'Materializing Inspiration' blog at 'The Traveller WIP' for a little behind the scenes peek at this work in progress.

This piece is lucky enough to already have a new home awaiting it, however if you love artworks which included beautiful gilded silver metal leaf accents, do keep your eyes peeled for my upcoming works!..

Thanks for the visit!.. :)

The Dress

4/22/2017

'The Dress' Mixed Media Oil Painting of Female Nude Woman by Jacqueline Gomez

Mixed Media Oil Painting / Size: 5.7 x 4.7 Inches

SOLD

Gesture of my Big Ball of Furrr

4/8/2017

Gesture of Pet Dog in Charcoal Napping Animal

Sherlock Gesture / Charcoal on Newsprint / Size: 8.3 x 5.5 Inches

'Glass Reflections 2' Alla Prima

2/19/2017

Went for a much looser technique in this the 2nd of this 3 part series. Whereas the 1st was painted with a size 4 flat synthetic brush, this piece was painted completely with a relatively large Size 9 flat hog bristle. No preliminary underpainting or drawing was done either, rather I started blocking in with colour straight away on just a toned background, placing each block of colour as accurately as possible straight away and thus building the whole painting in this straightforward manner alone.

Tiny Oil Painting of Wine Glass Reflected in Mirror by Jacqueline Gomez

Glass Reflections 2 / Oil on Linenboard / Size: 2.5 x 3.5 Inches

Monotone Umber Oil Portrait of Woman

2/12/2017

This piece was really a joy to create!.. :)

Painting of Black Woman with Afro in brown oil paint on canvas by Jacqueline Gomez

'Shawna' / Oil on Raw Canvasboard / Size: 5 x 5 Inches

SOLD

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All Original Artworks are licensed under Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0) 2013 Jacqueline Katherine Gomez unless otherwise stated.
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